Free Gaza—from Hamas

November 28, 2012 1:54 am 1 comment

Child in Hamas Festival in Gaza. Photo: wiki commons.

Under the façade of human rights, anti-Israel campaigners have been promoting the theme of “Free Gaza,” falsely alleging that Israel’s blockade is responsible for the suffering of millions of Palestinians. They organized “humanitarian aid” flotillas (carrying almost no aid) in order to provoke violent confrontations with the Israeli Navy, and held hateful protests at universities around the theme of Palestinian victimization and the invented slogan of “collective punishment.”

In the second Gaza war, the promoters of the Free Gaza campaign share major responsibility in producing and marketing this tragedy. With their backing, the Hamas leadership was confident (overly confident, it turned out) that it could escalate attacks on Israelis, and count on international media and political campaigns to prevent Israel from maintaining a strong counterattack. This strategy worked for them in the first Gaza war (December 2008 to January 2009), as it did for Hezbollah in 2006. The stream of “flotillas” and accompanying publicity created a fabricated image of Israeli aggression and Palestinian suffering which Hamas leaders have successfully exploited for many years.

One of the most active groups involved in the “Free Gaza” industry is an Israel-based NGO known as Gisha (“Legal Center for Freedom of Movement”). Gisha has waged a media campaign to promote what they portray as Israel’s policy of starving the population of Gaza and preventing them from unencumbered imports and travel. In their public relations efforts, Gisha and its allies have largely erased all traces of Hamas—including their brutality against their own people, and the acquisition of thousands of rockets hidden in schools, mosques and homes.

Anyone who is actually concerned about the welfare of the people of Gaza, and does not belong to the church of “it’s all Israel’s fault” would have focused the generous resources provided by foreign donors (including the New Israel Fund and anonymous European government officials) on liberating Gaza’s citizens and Israelis from Hamas.

But instead they constructed a fictitious Gaza, based on the total disconnect (overlooked by journalists committed to the Palestinian victimization promoted by NGOs) between the image of deprivation and the huge sums spent on rockets and missiles to attack Israel. According to the IDF, in the past decade, more than 13,000 rockets and mortars—an average of three per day—were launched against Israel. More than 1,500 were fired in the eight days of this conflict, beginning Nov. 14.

The missile industry—the biggest in Gaza—consumes huge resources and tens of millions of dollars, pounds, euros and dinars. How many school lunches, prenatal and infant care medical checks and other social welfare measures could this money have been used to buy, if only the Hamas overlords of Gaza were so inclined?

Similarly, according to media reports, Gaza has “15,000 Qassam fighters who are responsible for most of the rocket blitzes.” Thousands more were involved in building and operating over 200 tunnels that were dug under the border between Egypt and Gaza—many large enough to bring rocket sections through—in order to maintain the war against Israel.

While some societies encourage their best and brightest to go to universities, become scientists, build businesses and create jobs, in Gaza’s Palestinian society, the best jobs are making, smuggling and shooting rockets to kill Israeli civilians.

All of this is erased in the distorted universe of the NGO human rights network and their funder-enablers, such as the New Israel Fund and hidden European government officials. In their absurd, patronizing and morally inverted version of reality, all responsibility and blame lies with Israel.

Another radical fringe group with a major bank account calls itself “Breaking the Silence” ($523,342 by the NIF from 2006 through 2011; additional funds from Europe). BtS plays a central role in the dissemination of false “war crimes” accusations against Israel, including in the notorious Goldstone report of 2009.  Now, BtS is seeking to repeat this process by drawing comparisons between the fictitious “crimes” of four years ago, and the current Israeli operation in Gaza. As in the case of Gisha and many others, there is no mention of Palestinian war crimes (such as every rocket attack) and the intimidation through which Hamas controls Gaza. On these issues, the silence is deafening.

There are many more examples selling more or less the same defective product. In contrast, a real and moral Free Gaza movement would close the missile industry and help Israelis and Palestinians in liberating themselves from the tyranny of Hamas. With yet another ceasefire, the “human rights activists” have another opportunity to do the right thing, and demand that instead of investing massively in restocking rockets for another round of warfare, Palestinian leaders invest in the welfare of their own people.

Gerald M. Steinberg is president of Jerusalem-based research institution NGO Monitor and is professor of political science at Bar Ilan University.

1 Comment

  • Why doesn’t Israel expell the so-called Palestians from Israel? They are not really Palestians because they come from all over the Arabic lands; Jordan, Egypt, Syria, Lebanon; their own country didn’t want them, so now Israel has to deal with them. They all could live very peacefully and prosperously in Israel. The war lords ar warmongers. It’s a big business and where atr they getting all this money to buy weapons? If anybody is to be called Palestians, it should be the Israelians since they are the ancient people who have returned to their homeland

Leave a Reply

Please note: comments may be published in the Algemeiner print edition.


More...

  • Arts and Culture Blogs Jonathan Ames, ‘Herring Wonder’ and HBO Series Creator, Does Israel

    Jonathan Ames, ‘Herring Wonder’ and HBO Series Creator, Does Israel

    Writer Jonathan Ames, creator of the HBO television series “Bored to Death,” is known for his fearless and exhibitionistic persona. One can find YouTube videos of him eating herring and boxing at the same time, having knives thrown at him by a person called “Throwdini,” and ranting drunkenly at an awards ceremony. And when it comes to writing, Ames’s essays tend to cover racy topics. Given these exploits, it’s a bit surprising to learn that Ames’s recent trip to Israel [...]

    Read more →
  • Arts and Culture Beliefs and concepts Jewish Presence in Contemporary Art

    Jewish Presence in Contemporary Art

    The Jewish presence and identity in the contemporary world of art is one truly worth noting. At the 3rd annual conference of “Jewish Arts & Identity in the contemporary world” in Baruch College’s Jewish Studies Center, at a panel entitled “Jewish Ways of Seeing: The Visual Arts and the Jewish Tradition”, the Jewish impact on the creative world is exemplified through the discussion of artist Audrey Flack and her various works. Flack was born in 1931 to a fairly Orthodox [...]

    Read more →
  • Blogs Features Black Jazz Musician Encounters Mixed Reactions to Subway Renditions of Hatikvah, Hava Hagila

    Black Jazz Musician Encounters Mixed Reactions to Subway Renditions of Hatikvah, Hava Hagila

    At first you may be skeptical of Isaiah Richardson Jr. He doesn’t look like somebody who would be playing Hava Nagila for passengers waiting for their train in the subway. Firstly, he seems too young,  and secondly, he’s a black kid from the Bronx, dressed sharply, derby hat and all. But when upon meeting Isaiah, the 32-year-old ticked off “Hevenu Shalom Aleichem,” “Bashana Haba’ah,” and “Zum Gali Gali” as some of his favorite songs to play passing crowds, I knew [...]

    Read more →
  • Blogs Music Mother’s Day Performer Blends Israeli Independence and the Jewish Side of Verdi

    Mother’s Day Performer Blends Israeli Independence and the Jewish Side of Verdi

    This Mother’s Day, the music of opera singer Sharon Azrieli Perez will integrate the varied threads that have made up the fabric of her life. Perez, in a Mother’s Day concert May 12 at the 92nd Street Y in New York City, will weave a musical experience that brings together intimations of Israeli independence, Giuseppe Verdi’s use of Jewish melodies, medieval Ladino music, and modern Jewish show music. These musical elements are particularly personal for Perez, whose Juilliard education has [...]

    Read more →
  • Blogs Jewish 100 Social Harvey Weinstein to Elie Wiesel: Without You There Would be no ‘Schindler’s List’ (VIDEO)

    Harvey Weinstein to Elie Wiesel: Without You There Would be no ‘Schindler’s List’ (VIDEO)

    Famed film producer Harvey Weinstein presented Nobel Laureate Elie Wiesel with the Algemeiner newspaper’s ‘Warrior for Truth’ award at its recent star studded 40th anniversary ‘JEWISH 100’ Gala. “My mother, the Miriam of Miramax […] was so thrilled when she heard that I was presenting to Professor Wiesel,” Weinstein said as he called on the professor to accept the award. “I am happy to be here on the Algemeiner’s 40th anniversary and to celebrate their top 100,” Weinstein added. Commenting [...]

    Read more →
  • Israel Sports Israeli Soccer Star Victim of Anti-Semitic Abuse on Twitter

    Israeli Soccer Star Victim of Anti-Semitic Abuse on Twitter

    Israeli soccer star Yossi Benayoun, who currently plays for FC Chelsea in the English Premier League, was recently the victim of anti-Semitic abuse on Twitter. After thanking his Twitter followers for sending him birthday wishes, Benayoun, who many consider to be the greatest Israeli soccer player ever, was sent the following message: “f***in Jew a**hole.” Benayoun posted a response, saying, “Some nice people in the world.” His team has called on the police to investigate the matter, according to the Britain’s [...]

    Read more →
  • Arts and Culture Blogs Gary Baseman and The Jewish Home “The Door Is Always Open”

    Gary Baseman and The Jewish Home “The Door Is Always Open”

    This weekend, a retrospective of the works of Gary Baseman titled The Door Is Always Open, opened, at the Skirball Cultural Center. ‘Door’ recreates the artists’ childhood home filled with famous Baseman characters and Jewish subjects peppered about. Baseman has had a long and successful career with iconic characters and big clients to fill his CV, but recent works are the first time he is dealing directly with his Jewish identity and the value that it holds for him now. [...]

    Read more →
  • Blogs Jewish 100 Social Algemeiner ‘JEWISH 100′ Gala: Album 2 – Program, Speakers and Awards (PHOTOS)

    Algemeiner ‘JEWISH 100′ Gala: Album 2 – Program, Speakers and Awards (PHOTOS)

    Read more →
Sign up now to receive our regular news briefs.