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Mensch of Steel

June 7, 2013 11:02 am 2 comments


With the newest Superman film, “Man of Steel,” set for release, it seems only fitting to look back at the two men who created the world’s most famous superhero.

Jerry Siegel and Joe Shuster lived twelve blocks apart from each other in Cleveland. The pair collaborated on stories for their high school newspaper and shared a passion for science fiction and pulp comics. It was the 1930s, and comic book publishing was in its infancy. Like many young Jews with artistic aspirations, Siegel and Shuster yearned to break into this fledgling industry. Comic book publishers actively hired Jews, who were largely excluded from more “legitimate” illustration work.

The 1930s were also quite likely the most anti-Semitic period in American history. Fritz Kuhn of the German-American Bund led legions of rabid followers on marches through many cities, including Siegel and Shuster’s hometown. Radio superstar Father Charles E. Coughlin of the pro-fascist Christian Front was one of the nation’s most powerful men. And Ivy League colleges kept the number of Jewish students to a minimum, while country clubs and even entire neighborhoods barred Jews altogether.

So Siegel and Shuster began submitting treatments under the pseudonym Bernard J. Kenton, just to be on the safe side. Throughout the Great Depression, the two boys scraped together every penny they could just to cover postage. Shuster sketched on cheap brown wrapping paper.

From these humble beginnings, Siegel and Shuster carved out a character that became an American icon. (Like Siegel and Shuster, the early comic book creators were almost all Jewish, and as children of immigrants they spent their lives trying to escape the second-class mentality forced on them by the outside world. Their fight for truth, justice, and the American Way is portrayed by the superheroes they created.)

Many years later, Jerry Siegel recalled the birth of Superman:

“The story would begin with you as a child on far-off planet Krypton. Like the others of that world, you had super-powers. The child’s scientist-father was mocked and denounced by the Science Council. They did not believe his claim that Krypton would soon explode from internal stresses. Convinced that his prediction was valid, the boy’s father had been constructing a model rocket ship. As the planet began to perish, the baby’s parents knew its end was close. There was not space enough for three people in the small model craft. They put the baby into it.”

The idea of for this new superhero came to them in 1934. It would take another four years before Superman would be transformed from a feverish dream to a full-fledged hero. In 1938, Detective Comics, Inc., was looking for a character to launch its new magazine, Action Comics. They paid young Siegel and Shuster $130 for the first thirteen pages of Superman. Action Comics #1 came out in June of that year.

Superman’s original name on Krypton reveals biblical underpinnings. Superman is named Kal-El and his father Jor-El. The suffix “El” is one of the ancient names for God, used throughout the Bible. It is also found in the names of great prophets like Samuel and Daniel and angels such as Michael and Gavriel. We may never know whether Siegel and Shuster were aware of these precise Hebrew translations; nevertheless, the name could not be more apt.

Like the biblical Moses, Superman is discovered and raised in a foreign culture. Baby Moses is found by Batya, the daughter of Pharaoh, and raised in the royal palace. Superman is found by Jonathan and Martha Kent in a Midwestern cornfield and given the name Clark. From the onset, both Batya and the Kents realize that these foundling boys are extraordinary. Superman leads a double life as the stuttering, spectacle-wearing reporter whose true identity no one suspects. In the same way, for his own safety, Moses kept his Israelite roots hidden for a time.

While Superman may have stood the test of time, the lives of his creators were not as triumphant. While DC Comics was making millions, they weren’t sharing the wealth. The two men were paid a salary, but their initial payment back in 1938 had included all rights. They had sold their percentage of a goldmine for $130 and were eventually fired from their own creation.

Lawsuits followed, none successful. Siegel and Shuster tried and failed to create new characters. Their names were familiar only to comic book aficionados. Then rumors began to circulate in the early 1970s that a big budget Superman movie was in the works. DC Comics received $3 million for the rights to film Superman. Once again, Siegel and Shuster were left out of the equation.

This time, the two men tried a new approach. They bypassed their lawyers and went straight to the media. Newspapers across the world picked up the story of Siegel and Shuster, the poor boys who made DC Comics rich and were now penniless and forgotten. That Shuster was going blind added to the story’s poignancy.

Legally, DC Comics owed Siegel and Shuster nothing, but bad publicity was costing the company dearly. A financial settlement was reached and the names “Siegel and Shuster” appeared in Superman comics once more. Joe Shuster died in 1992 at age 78; Jerry Siegel passed away in 1996 at age 81.

As Siegel and Shuster’s iconic creation returns to the screen to save the world in a post-recession age of uncertainty and political tension, we need the Man of Steel more than ever.

About the Author: Rabbi Simcha Weinstein, an internationally known best-selling author whose first book, “Up, Up and Oy Vey!” received the Benjamin Franklin Award, has been profiled in leading publications including The New York Times, The Miami Herald and The London Guardian. He was recently voted New York’s Hippest Rabbi by PBS Channel 13. He chairs the Religious Affairs Committee at Pratt Institute. His forthcoming book is “The Case for Children: Why Parenthood Makes Your World Better.”


  • Something else Noticed

    When I was younger, I always wondered what was with the cape? It doesn’t add any capability and I would think it would get in the way. But recently I have been attending Orthodox morning services, and noticed when the style of wearing the tallit with the ends folded up on the shoulders and hanging mostly down the back is nearly the same look as the super hero cape. It came to me when the Rabbi actually spun around to do something and the tallit gadol actually flared around dramatically as if he were a super hero. I then wondered if the likes of Siegel and Schuster and Stan Lee used this imagery from there Jewish background to gives these “caped crusaders”.

  • Dennis Rogness

    Nice article,but sad that it is another case of corporate greed and the worthy being screwed.

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