Australian Museum Returns First Nazi-Looted Art Piece to Heirs of Original Jewish Owner
Error: Contact form not found.
by Joshua Levitt

The National Gallery of Victoria will return this portrait unfairly sold because of Nazi duress. Photo: Screenshot.
The National Gallery of Victoria, in Melbourne, Australia, agreed to return a portrait in their collection to the heirs of its original Jewish owner, marking the county’s first successful Nazi restitution claim, the BBC reported on Friday.
Two unnamed South African sisters claimed they inherited the portrait as part of the estate of Jewish industrialist Richard Semmel, whose art collection was bequeathed to their grandmother, his companion after the death of his wife. Their lawyer said they had been searching for the painting for a decade.
Nazis had forced Semmel to sell the portrait in Amsterdam, in 1933, when his art collection was dispersed under duress.
In a statement, the museum said, “The NGV takes its responsibilities seriously in regard to determining the history of ownership of works of art, including the period from 1933 to 1945, when systematic looting, the confiscation of artworks, and persecutory anti-Semitic policies occurred under Nazi rule.”
“As well as being guided by international law and the Washington Conference Principles to arrive at this decision, we also see this as a moral issue, on which it is important to take a strong position,” it said.
Under the 1998 Washington Conference Principles, which Australia has signed, the original owners and heirs are entitled to reclaim art looted or hurriedly sold because of the Nazis.
The painting was bought in 1940 from British Lieutenant Colonel Victor Alexander Cazalet for £2,196, several owners after Semmel, the museum said.
NGV director Tony Ellwood told The Australian it had been taken down from display on Tuesday night and is now “in storage,” the BBC reported.
The portrait, ‘Head of Man,’ was mistakenly believed to be from Dutch master Vincent Van Gogh, but experts at the Van Gogh Museum, in Amsterdam, ruled in 2007 that the painting was actually by an unknown contemporary, after its authenticity was questioned by British art critics, the BBC reported.
The NGV accepted that decision, which slashed the painting’s value from AUS $5 million ($4.65 million) to a reported AUS $10,000 ($9,300.)
Australian publication The Age said the heirs were open to talking about where the painting would be displayed, including the possibility it could stay at the NGV if they decided to sell.
Netanyahu, Sa’ar Rebuke Ben-Gvir Over Flotilla Video as Pro-Israel Voices Warn of Strategic, Diplomatic Damage
Trump Says US May Strike Iran Again but That Tehran Wants Deal
Somaliland Says It Will Open an Embassy in Jerusalem, Israel to Reciprocate
Lebanese People Broadly Support Hezbollah’s Disarmament, Peace With Israel, New Poll Finds
Antisemitic AI Videos Target Children With Disney-Pixar Style to Push Holocaust Denial, Report Shows
Yeshiva University Holds Conference Calling for ‘Social Science’ Study of Rising Antisemitism
Thomas Massie, Leading Anti-Israel Republican, Faces Trump-Backed Challenger on Primary Day in Kentucky
Hungarian Filmmaker Says ‘Orgy of Antisemitism Overtaking the West,’ Feels ‘Ostracized’ by Film Industry
UN Special Rapporteur Francesca Albanese Urges Germany to Get Over Holocaust Guilt in Antisemitic Tirade
Kuwaiti Jiu-Jitsu Gold Medalist Refuses Handshake With Israeli Athlete: ‘We Do Not Respect Them At All’





At California Universities, Students Rally to Support Terrorists and Criticize Victims
When ‘International’ Law Is Used to Target Only Israel
UN Special Rapporteur Francesca Albanese Urges Germany to Get Over Holocaust Guilt in Antisemitic Tirade
How Israel Adds Economic Value and Technological Advancement to the United States
How the Jewish People Can Unite: A Lesson From Yavne and the Mishnah



