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December 23, 2016 2:46 am

At the Jewish Museum, Hanukkah Menorahs Are More Than Ceremonial

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This “deer” Hanukkah lamp is from 19th century Eastern Europe. Photo: The Jewish Museum, gift of Dr. Harry G. Friedman.

This “deer” Hanukkah lamp is from 19th century Eastern Europe. Photo: The Jewish Museum, gift of Dr. Harry G. Friedman. – New York’s Jewish Museum is shining a bright light on the many forms and enduring ritual uses of Hanukkah menorahs in a new exhibit that runs through the winter holiday season.

In “Masterpieces & Curiosities: Memphis Does Hanukkah,” the museum’s vast collection of 1,022 Hanukkah lamps — dating from the Renaissance period to modern day — is on display. The menorahs are made from a wide variety of materials and come from virtually every part of the world, including North and South America, Europe, Asia, the Middle East and North Africa. Each one holds a unique history.

“They are wonderful objects and the largest part of the museum’s collection. Over time, the lamp became more significant for a variety of reasons,” said Susan Braunstein, Ph.D., the museum’s Henry J. Leir curator, and an expert on menorahs. She’s authored several books on the subject, published a catalogue of the museum’s collection of Hanukkah lamps and is an adjunct instructor of Jewish art at the Jewish Theological Seminary of America.

The exhibit also features Judaica by modern artists, including Los Angeles-based designer Peter Shire’s “Menorah #7.”

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Shire’s menorah, which he said was inspired by his family’s Jewish roots, is a set of oddly shaped and balanced geometries, fabricated with industrial materials, bright colors and “finish-fetish” detailing. Shire’s style was influenced by Russian Constructivism and the Bauhaus, as well as the radical, irreverent and often humorous history and style of West Coast art.

Each Hanukkah lamp in the exhibit, whether contemporary or hundreds of years old, reflects a history of decisions and events that happened over centuries, Braunstein said.

“Different forms developed over time and are taken from different sources,” she said. “A baroque lamp was the modern art of its time. That’s something to think about and remember as we look at things that come out now, like Shire’s work.”

While the gold and silver menorahs on view are eye catching, Braunstein said it’s important to remember that Jews in many parts of the world, living in poor and difficult conditions, often used plain, everyday materials to keep with Judaism’s tradition of using Hanukkah to remember the victory of the Maccabees over the Greeks, and the rededication of the Second Temple.

“Some rabbis ranked the materials that could be used and, at the bottom of the list, are walnut and egg shells,” she said. “A visitor from Romania told me he remembered his mother took potatoes and cut them up and carved a little hole in them and put a candle or oil in them for Hanukkah.”

Lasting light

The menorah is only part of what makes Hanukkah, the Jewish Festival of Lights, so enduring.

“Hanukkah is a joyous holiday,” Braunstein said. “It’s a holiday of light, which is always wonderful, and it comes at the time of the year in the Northern Hemisphere where it gets dark early. Religiously, it’s mandated and it has to do with the wish for the restoration of the temple, an important thing in Jewish culture.”

And the museum’s Hanukkah lamps now serve a function beyond what their creators and previous owners originally intended.

“They help illuminate the multitude of events and people that have contributed to the practice, interpretation, and preservation of Jewish culture over the centuries,” Braunstein says. “Their survival represents its own kind of miracle — of the link between the Jewish past and its future, effected through courage, intellect, creativity, piety, passion and generosity of so many actors in their stories.”

The museum’s permanent collection has Hanukkah lamps on view year-round.

The special exhibit, open now, runs through February 12, 2017.

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