Eurovision Director Dismisses Pressure by Former Contestants to Ban Israel From Song Contest
by Shiryn Ghermezian
Logos of the Eurovision Song Contest are seen in front of the St. Jakobshalle in Basel, Switzerland, May 1, 2025. Photo: REUTERS/Denis Balibouse
The director of the 2025 Eurovision Song Contest is ignoring pressure by dozens of former contestants to have the international competition ban Israel because of its military actions in the Gaza Strip during the Israel-Hamas war.
Martin Green said in a statement to the British publication Metro on Tuesday that the Eurovision Song Contest “promotes connections, diversity, and inclusion through music.”
“We all aspire to keep the Eurovision Song Contest positive and inclusive and aspire to show the world as it could be, rather than how it necessarily is,” he added. “The EBU remains aligned with other international organizations that have similarly maintained their inclusive stance towards Israeli participants in major competitions at this time.”
Israel’s national broadcaster, Kan, is a member of the Eurovision Broadcasting Union (EBU), which organizes the song contest. Yuval Raphael will represent Israel in this year’s competition with the heartfelt ballad “New Day Will Rise.” The contest will take place this year in Basel, Switzerland, and Raphael – a survivor of the Oct. 7, 2023, Hamas-led terrorist attack in Israel – will perform in the second semi-final on May 15. If she advances, she will compete in the grand final on May 17. Switzerland will host the Eurovision Song Contest for the first time since 1989.
More than 70 former contestants of the Eurovision Song Contest demanded in an open letter on Monday that Kan be banned from the competition this year, claiming that the broadcaster is “complicit in Israel’s genocide against the Palestinians in Gaza and the decades-long regime of apartheid and military occupation against the entire Palestinian people.” The open letter was signed by singers, songwriters, musicians, lyricists, and others from Albania, Bosnia and Herzegovina, Finland, France, Iceland, Malta, Norway, Portugal, Slovenia, Switzerland, the United Kingdom, and Turkey. The national broadcasters in Iceland, Slovenia, and Spain have also criticized the EBU’s decision to allow Israel to participate in the 2025 Eurovision Song Contest.
Green’s comments defending Israel’s participation in this year’s competition echo similar sentiments recently expressed by an EBU spokesperson. Speaking to HuffPost UK, the EBU representative said the independent media organization makes decisions about the Eurovision based on rules of the song contest, and Kan’s application to join “met all the competition rules.” The spokesperson further noted that the EBU “remains aligned with other international organizations that have similarly maintained their inclusive stance towards Israeli participants in major competitions at this time.”
“The EBU is an association of public service broadcasters who are all eligible to participate in the Eurovision Song Contest every year,” the spokesperson added. “We are not immune to global events but, together, it is our role to ensure the contest remains – at its heart – a universal event that promotes connections, diversity and inclusion through music.”
Israel’s participation in the 2024 Eurovision Song Contest in Malmo, Sweden, was also highly criticized because of the Israel-Hamas war. Thousands of pro-Palestinian demonstrators took to the streets of Malmo to protest Israel’s involvement and Israel’s representative, Eden Golan, experienced intense backlash during the competition, including death threats and boos from audience members. One Eurovision jury member even admitted that he refused to give Golan a single point merely because of his own anti-Israel views. Singers who participated in the contest last year also faced pressure to pull out of the event because of Israel’s involvement.
At the time, Jean Philip de Tender — the deputy director-general of the EBU – said the Eurovision contest is “a music event, which is organized and co-produced by 37 public broadcasters, so it’s not a competition between nations or governments.” He noted that Eurovision does not make decisions based on politics and if the EBU would ban Kan because of something other than competition rules, “that would have been a political decision.”
