In Gaza, Hamas Is Medea
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by Marcelo Wio

Displaced Palestinians, fleeing northern Gaza due to an Israeli military operation, move southward after Israeli forces ordered residents of Gaza City to evacuate to the south, in the central Gaza Strip September 14, 2025. Photo: REUTERS/Mahmoud Issa
In Greek mythology, Medea does the unthinkable. Pursued by her father, Aeetes, and his fleet, she turns on the person closest to her — her own brother, Absyrtus. She drives a sword into his side, then tears apart a body “made of her own flesh.” She places his head and hands in sight of her father’s ship; the rest she scatters across the shore. Aeetes, shattered by grief, must stop to gather the remains while Medea escapes.
The Romanian writer Vintila Horia, in his novel God Was Born in Exile, lingers on this moment. Medea, he writes, was “a plaything of the gods, who drive men to commit these hateful acts so that they can then punish them more effectively.”
Myths survive because they illuminate universal human behaviors. They are metaphors dressed as stories — allegories of devices we see repeated again and again. And in this case, the echoes are uncomfortably clear.
Today, Palestinian leaders, whether from Hamas, Fatah, Islamic Jihad, or the PFLP, play Medea’s role. They sacrifice their own people for survival, for wealth, for ideology. Absyrtus is the Palestinian people themselves: torn apart, scattered, turned into propaganda fragments. And the West becomes Aeetes, chasing after the wreckage, desperate to collect the consequences, always behind.
The “gods” are not divine. They are the powers who exploit Palestinians as pawns: Syria, Iran, Qatar, Egypt, Saudi Arabia, and others. Wrapped in the cloak of a politicized Palestinian identity that seems to grant immunity, leaders and patrons have stolen aid, enriched themselves, and justified repression: homophobia, misogyny, fanaticism, antisemitism, corruption, and endless violence. The cloak also serves to extract concessions abroad — political, diplomatic, and economic.
Meanwhile, Aeetes, the West, pursues the trail. Responsibilities, negotiations, and concessions pile up. Security and rights recede. Appeasement, apologies, and money flow in, offered up as if tolerance alone could undo the crime.
Medea, in this story, is embodied by the Palestinian leaders and their minions. They are directly responsible for the theft, for the indoctrination, and for the tactic Khaled Meshal himself described: sacrificing their own people to wound, however briefly, the image of the Jewish State. Each “martyrdom,” each “jihad,” is sold as a step toward eliminating Israel.
Absyrtus is the people — trapped in a machinery of violence, indoctrination, victimization, and offering, for which UNRWA bears immense responsibility. Reduced to faces on campaign posters, to slogans shouted in Paris, Madrid, or American universities, their deaths are paraded before the world as bait. The West does not insist that Hamas be removed from power — so that the war will end; hospitals, schools, and mosques won’t be turned into fighting locations; and Palestinian civilians won’t be used by their government as human shields. Instead, the West, like Aeetes, dutifully chases after the violent repercussions of Hamas’ tactics, convinced that appeasement, tolerance, and aid can somehow reassemble what their leaders have destroyed.
This ritual has a lineage. From the “Grand Mufti” of Jerusalem, Haj Amin al-Husseini, and the Muslim Brotherhood’s Hassan al-Banna, down to Hamas today, the line runs long and unbroken. Death and hostage releases become theater, staged to desensitize their own people and foreign spectators alike.
Above all, Palestinians are sacrificed for a radical Islamist project of religious totalitarianism that seeks to advance westward, unopposed and unquestioned. This is what Hamas represents, and that is the true tragedy: not simply that people die, but that their deaths are wielded as weapons, as theater, and as excuses for hatred.
So long as the West keeps gathering the carnage that has been left behind, it will remain trapped in the tragedy. The only way out is to name the crime and hold the true Medeas to account.
Marcelo Wio is a Senior Analyst at CAMERA’s Spanish Department.
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