Illustrative: Anti-Israel demonstration supporting the BDS movement, Paris France, June 8, 2024. Photo: Claire Serie / Hans Lucas via Reuters Connect

One of the world’s largest documentary festivals has prohibited Israeli film institutions receiving government funding from participating in its event this year, in support of a Dutch and Belgian cultural boycott of Israel.

Every year, the International Documentary Film Festival Amsterdam (IDFA) invites more than 300 independent films, 45 projects, and more than 3,000 professionals to the festival.

“These films and individual film professionals can come from any country, even if freedom of expression is under pressure in those countries or if human rights violations are committed in the name of governments,” an IDFA spokesperson explained to The Algemeiner on Tuesday. “Filmmakers and films with demonstrable ties to governments that contribute to serious human rights violations (for example, if a film or project has been financed by such government) will not be selected. Official government delegations or affiliated institutions from these countries are not eligible for official accreditation to IDFA.”

The festival will be held this year from Nov. 13-23.

The IDFA similarly explained its policy for next month’s event on its website under its “principles and guidelines.” The festival stated that it “does not claim to settle or resolve political debates, but rather to enrich them from an artistic perspective, thereby stimulating public debate and fostering understanding and individual growth.” Organizers also noted that the festival “cannot and does not want” to have a neutral position but instead hopes to be “a committed institution with a socially critical perspective.”

Despite participating in a boycott against Israel, IDFA further claimed that it aims to serve as a “safe space” for independent filmmakers, artists, and audiences, “where everyone feels welcome and respected and can express themselves freely even when perspectives differ.”

“At IDFA there is a plurality of voices, that established names and opinions can be critically questioned, that protests can be heard, and friction can exist to discuss social issues and contribute to change,” according to the festival’s website. “We must protect this open space, especially when things get complicated.”

IDFA organizers declined accreditation to Israel’s DocAviv Festival, the Israeli public broadcaster Kan, and the Israeli Co-Production Market because they receive partial funding from the Israeli state budget, according to Variety. Filmmaker and producer Michal Weits, who became Docaviv’s artistic director last year, released a statement criticizing global cultural boycotts of Israel. He called on colleagues in the international documentary filmmaking community not to “conflate the Israeli government with the state and its people.”

“This is the moment to strengthen liberal institutions and voices of dissent within Israel, and to ensure that they do not disappear,” he said. “The budgets allocated to cinema in Israel do not belong to the government; they belong to the public. They belong to the citizens, to the taxpayers. These resources enable us to amplify critical voices, to shed light on injustices, and to provide the broad platform we dedicate to filmmakers from across the world, offering audiences the opportunity to encounter urgent and meaningful cinema.”

The IDFA is among hundreds of Dutch and Belgian cultural organizations, artists, and cultural workers that recently signed a pledge to boycott Israel and Israeli entities that are complicit in alleged “grave human rights violations against the Palestinian people.” The signatories support boycotts of Israel in every field, including sports and music, like the Eurovision Song Contest.

“A cultural boycott alone cannot end the genocide, apartheid, or illegal occupation,” they said. “We thus echo longstanding Palestinian calls on the sports sector, academia, the economic sectors, and all spheres of politics to sever ties with complicit institutions.”

The group added that it is composed of “members of the Dutch and Belgian cultural sector, [who] wish to no longer remain bystanders to the ongoing war crimes, crimes against humanity, and what has been widely recognized by all authoritative institutions as a genocide of the Palestinian people.” Individual independent filmmakers and film professionals are not affected by the boycott.