A partial view of “The Valley of Mills near Amalfi” by Carl Blechen. Photo: Bridgeman Art Library via Wikimedia Commons

Germany has restituted a painting that was stolen by the Nazis in 1942 from the family of two Jewish brothers and intended to be used in a museum for Nazi leader Adolf Hitler.

The landscape painting “Valley of Mills near Amalfi” (ca. 1830) by the 19th century German artist Carl Blechen was owned by Arthur and Eugen Goldschmidt, who were also art collectors. The painting was purchased by their father in Berlin and inherited by the brothers when he died. Arthur, who was also a publisher, and Eugen, who was a chemist, faced Nazi persecution and shortly after Kristallnacht in November 1938, the brothers committed suicide.

Their art collection was inherited by their nephew Edgar Moor but he had recently emigrated to Johannesburg, South Africa, so the artworks stayed in the brothers’ former apartment in Berlin. In July 1942, the Gestapo confiscated everything owned by Moor that remained in Germany, including “Valley of Mills near Amalfi.” Germany’s Federal Art Administration announced that the German government returned the Blechen painting to Moor’s heirs earlier this month after the signing of a restitution agreement in May.

“Based on the information available, it can be safely assumed that the painting in question was confiscated from Edgar Moor as a result of Nazi persecution,” the Federal Art Administration said. “The Valley of Mills near Amalfi” is the 69th piece of artwork owned by the Federal Republic of Germany that the government has restituted.

The Blechen painting was bought in 1944 by a special commission organized by Hitler to acquire items that would be displayed at a Fürhermuseum he planned to open in Linz, Austria. “Valley of Mills near Amalfi“ was stored inside Hitler’s building in Munich called Führerbau, which stills stands today, but it was stolen in 1945. The Munich police got a hold of the painting in 1946, and in June 1949, the American military government transferred it and other objects that had not been restituted to Bavarian Prime Minister Hans Ehard. The painting was handed over to Germany’s federal government in 1952 and was officially made federal property in 1960, along with other items formerly owned by the Nazis.